Handy’s breezy, friendly style lends the book a bright feeling, as of old friends discussing old friends, and this book will surely leave its readers with a new appreciation for childhood favorites. Interestingly, most of the authors profiled here had no children of their own, but nonetheless had a great understanding of children’s feelings and viewpoints. Biographical sketches of the authors complement thematic analyses of their works. He asserts that these works represent a shift from the dull realm of the Dick and Jane storybooks to more complex and idiosyncratic material.
Seuss’s works-to the chapter books of Beverly Cleary, Laura Ingalls Wilder, and E.B. In Wild Things, Bruce Handy revisits the classics of American childhood, from fairy tales to The Very Hungry Caterpillar, and explores the backstories of their creators, using context and biography to understand how some of the most insightful, creative, and witty authors and illustrators of their times created their often deeply personal. He takes readers from the first books of childhood-such as Margaret Wise Brown’s classic Goodnight Moon, Maurice Sendak’s surreal Where the Wild Things Are and In the Night Kitchen, and the dizzy, euphoric invention of Dr. As if to redress this state of affairs, Handy, a contributing editor at Vanity Fair, does his part here to give the iconic authors of children’s literature their due in his spirited, perceptive, and just outright funny account of reading childhood favorites through adult eyes.
Seuss, acknowledged the “low pay, low status” accorded his profession. In an article about why he chose to write for children rather than adults, Theodore Geisel, aka Dr.
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